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Pyramids Aligning with Orion’s Belt

Posted on Dec 26, 2013 by in Digital Painting | 0 comments

orion-and-giza

Pyramids of Giza Aligning with Orion’s Belt

Digital painting, part of the “Universal Love Series”.

A Digital Painting Depicting the Pyramids of Giza Aligning with Orion’s Belt.

From Wikipedia: https://en.wikipedia.org/wiki/Orion_correlation_theory

This information corresponds to the digital painting presented to you here.

The Orion correlation theory was first put forward by Robert Bauval in 1983. One night, while working in Saudi Arabia, he took his family and a friend’s family up into the sand dunes of the Arabian desert for a camping expedition. His friend pointed out Orion, and mentioned that Mintaka, the smaller more westerly of the stars making up Orion’s belt, was offset slightly from the others. Bauval then made a connection between the layout of the three main stars in Orion’s belt and the layout of the three main pyramids in the Giza pyramid complex. He published this idea in 1989 in the journal Discussions in Egyptology, volume 13. The idea has been further expounded by Bauval in collaboration with Adrian Gilbert (The Orion Mystery, 1994) and Graham Hancock (Keeper of Genesis, 1996), as well as in their separate publications. The basis of this theory concerns the proposition that the relative positions of three main Ancient Egyptian pyramids on the Giza plateau are (by design) correlated with the relative positions of the three stars in the constellation of Orion which make up Orion’s Belt— as these stars appeared in 10,000 BC.

Their initial claims regarding the alignment of the Giza pyramids with Orion (“…the three pyramids were a terrestrial map of the three stars of Orion’s belt”—Hancock’s Fingerprints of the Gods, 1995, p. 375) are later joined with speculation about the age of the Great Sphinx (Hancock and Bauval, Keeper of Genesis, published 1996, and in 1997 in the U.S. as The Message of the Sphinx). According to these works, the Great Sphinx was constructed c. 10,500 BC (Upper Paleolithic), and its lion-shape is maintained to be a definitive reference to the constellation of Leo. Furthermore, the orientation and dispositions of the Sphinx, the Giza pyramids and the Nile River relative to one another on the ground is put forward as an accurate reflection or “map” of the constellations of Leo, Orion (specifically, Orion’s Belt) and the Milky Way respectively. As Hancock puts it in 1998′s The Mars Mystery (co-authored with Bauval):

…we have demonstrated with a substantial body of evidence that the pattern of stars that is “frozen” on the ground at Giza in the form of the three pyramids and the Sphinx represents the disposition of the constellations of Orion and Leo as they looked at the moment of sunrise on the spring equinox during the astronomical “Age of Leo” (i.e., the epoch in which the Sun was “housed” by Leo on the spring equinox.) Like all processional ages this was a 2,160-year period. It is generally calculated to have fallen between the Gregorian calendar dates of 10,970 and 8810 BC.

The allusions to dates circa 12,500 years ago are significant to Hancock since this is the era he seeks to assign to the advanced progenitor civilization, now vanished, but which he contends through most of his works had existed and whose advanced technology influenced and shaped the development of the world’s known civilizations of antiquity. Egyptology and archaeological science maintain that available evidence indicates that the Giza pyramids were constructed during the Fourth dynasty period (3rd millennium BC), while the exact date of the Great Sphinx is still unclear. Hancock does not dispute the dating evidence for the currently existing pyramids, but instead argues that they may have been an architectural evolution of sites whose origin and cultural significance dated back some eight thousand years before the current monuments were built —since the Orion correlation theory claims they are oriented that way—which, it is implied, provides further evidence for the influence of astronomical, mathematical, and historical knowledge that might not have been passed down to the pyramids’ builders.

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